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Cahier d'un retour au pays natal : ウィキペディア英語版
Cahier d'un retour au pays natal

''Cahier d'un retour au pays natal'' (1939), translated as ''Notebook of a Return to the Native Land'', is a book-length poem by Martinican writer Aimé Césaire, considered his masterwork, that mixes poetry and prose to express his thoughts on the cultural identity of black Africans in a colonial setting.
==History==
After a rejection by a French publisher, Césaire submitted the manuscript of the poem to Georges Pellorson, director of the Parisian periodical ''Volontés'', who published it in August 1939, just as Césaire was returning to Martinique to take up a post as a teacher.〔"Aimé Césaire", in Donald E. Herdeck (ed.), ''Caribbean Writers: A Bio-Bibliographical-Critical Encyclopedia'', Washington, DC: Three Continents Press, 1979, pp. 324–25.〕〔"Commentary", ''Notebook of a Return to the Native Land'' (Middleton, CT: Wesleyan University Press, 2001), p. 53.〕 ''Cahier'' was subsequently published in an expanded version in 1947 by Editions Pierre Bordas, introduced with an essay by André Breton that had first appeared in 1943 in the New York-based review ''Hémisphêres'' under the title "Un grand poete noir".〔 In his introduction Breton called the poem "nothing less than the greatest lyrical monument of our times."〔"A Great Black Poet", ''Notebook of a Return to the Native Land'' (Middleton, CT: Wesleyan University Press, 2001), p. xiii.〕 According to Bonnie Thomas, ''Cahier d'un retour au pays natal'' was a turning point in French Caribbean literature: "Césaire’s groundbreaking poem laid the foundations for a new literary style in which Caribbean writers came to reject the alienating gaze of the Other in favour of their own Caribbean interpretation of reality."〔Thomas, Bonnie, ("Cahier d'un retour au pays natal" ), The Literary Encyclopedia, 30 March 2008.〕
The poem was adapted as a one-man show by Cy Grant.〔("Return to my Native Land", Cy Grant website. )〕

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